November 08, 2025

Collective work of ChatGPT, Gemini and my conceptions of me - if you know me, I really want to know your thoughts on if this is accurate or no!
I’ve always believed that self-portraits are lies with intent. They’re selective, well-lit, and suspiciously coherent. This one is no different. Still, I’ll try to keep the varnish thin.
This is my attempt to understand how I actually operate—what drives me, where I self-sabotage, and the paradoxes I live with. It’s written in my “intellectualized” style for clarity, but the content is the messy version. There will be omissions (some out of privacy, some out of blindness), but there’s enough here for someone to understand the engine under my hood.
If I had to simplify my motivational system into first principles, I get three dominant drivers:
I wish I could pretend “relationships” are an afterthought grafted later, but they aren’t. They’re the fourth driver I spent years undervaluing and then had to re-price—badly at first, better now.
Power started as an antidote to childhood helplessness. Thrill came from a brain that moves fast and gets bored faster. Legacy grew from feeling small and wanting to leave a mark deep enough to be undeniable. Relationships arrived as a correction - people who love you change the equation; they make agency bearable, thrill sustainable, and legacy worth anything at all.
I grew up as a central player without power. Things weren’t going well at home, and I was in the room where it happened but not with any meaningful levers. I learned early that thinking faster, deeper, sharper could win me small, private battles even when I couldn’t win public ones. If I couldn’t control outcomes, I could, at minimum, predict them and prepare. That became my first form of power - one that let to mental breakdowns but more on that in personal forums.
Maternal love was constant—an anchor in a sea state that kept changing without warning. My first relationship was the tectonic shift - stabilizing and destabilizing in equal measure, forcing me to confront parts of me that considered people as an overhead to be dealt with and not as companions to be cherished.
My relationship with failure is non-standard. It rarely lands as trauma; it lands as emptiness. I don’t spiral; I flatten. The sensation is: that was interesting; what next? I absorb the lesson, exit the scene, and forget. Efficient, yes. But there’s a hidden cost: the forgetting prevents integration. Sometimes you need the sting to rewire the system. I tend to bypass pain using intellectualization and momentum. It makes me resilient and under-reflective in the exact same breath. I’ve come to realise, while efficiency is highly sought after in professional matters, it makes the personal space very problematic. Being inefficient is being human and I often skip that step.
If I had to document the code I run on:
Factually, I’m a polymath: I code well, think in business systems, and execute as an operator. I’m also a trained Indian classical vocalist with a degree in music. This mix is real—not branding. But the truth inside the truth is this: breadth is both my weapon and my hiding place. I use it to access leverage across domains; I also use it to avoid the claustrophobia of singular mastery.
Music is the cleanest example. I was pushed into it at three, stayed out of pride, stayed longer for the dopamine of performance, and found true focus only after competence. Performance praise lights me up; mastery often exhausts me. Mastery requires repetition past novelty. Novelty is my favorite drug. The paradox: the most transcendent musical moments I’ve had came after tedious reps I resented. I know this. I still resist the reps. That’s me in a sentence. (ChatGPT didn’t quite capture the nuance but close enough to not warrant a re-write)
I like the idea of a quiet life in the abstract the way people like the idea of reading Russian novels in winter. When offered, I can’t live it. Ambition is my baseline setting. It energizes me 80% of the time and depletes me the other 20%—recently, more depletion than I’m used to. The correct strategy is not to abandon ambition but to add cadence: sprints with deliberate off-ramps, not endless acceleration. (I haven’t mastered this yet. I’m writing it down to hold myself accountable.)
I don’t want to be “powerful” in the cinematic sense. I want latitude. The freedom to choose problems, pick teammates, and say no to noise. In practice, my stack for power looks like this:
But there’s rot that creeps in: when competence becomes the only currency, I over-index on doing and under-index on being known by people who matter to me. It’s easy to be indispensable and unknown at the same time. That’s not a life I want.
There was a time I framed people as overhead. That framing was defensive and lazy. Today, I view relationships as infrastructure—load-bearing structures that make risk affordable and success meaningful. The paradox is uncomfortable: the same person I respect deeply can stabilize me and destabilize me. I don’t push people away. I just set a high bar for entry and then hand them the keys when they cross it. This makes for intensity. Intensity is unsustainable if you don’t have repair skills. I’m learning those—slowly, imperfectly, candidly.
I like external validation. I also dislike needing it. So I do what I’ve always done: I change the game so the scoreboard recognizes my playstyle. Founders do this by default; I do it deliberately. It’s productive and slightly dangerous. At its best, it’s category creation. At its worst, it’s avoidant behavior disguised as innovation. The skill is to ask why I’m building a new metric—because the older one is broken, or because I’m afraid I won’t win under it?
I’m risk-averse in the casino sense and risk-seeking in the venture sense. I won’t go all-in without edge. I love asymmetry: low downside, fat-tail upside. Most days, that’s prudence. Occasionally, it’s cowardice masquerading as prudence. Some doors only open if you lean your whole weight on them. I know which doors those are in theory. I’m practicing it in reality.
How I choose when it matters:
Where I go wrong: I skip Step 5 when things go well and skip Step 1 when I’m hurt. That’s when I end up optimizing for the wrong drive.
When I win, I often feel… nothing. Not disappointment, just the absence of the high I expected. My nervous system is tuned to the pursuit, not the capture. This is useful for stamina and terrible for celebration. The fix isn’t more trophies; it’s switching from outcome-dopamine to process-serotonin—building rituals that feel good while doing, not only when done. I’m late to this, but I’m here.
I’m not a collection of contradictions as much as I’m a set of dynamically paired truths:
These aren’t bugs to be fixed; they’re tensions to be managed. The goal is not to pick sides but to prevent one side from colonizing the other.
Naming these reduces their power. Eliminating them entirely would also eliminate a lot of what makes me effective. So the target is awareness + guardrails, not moral self-surgery.
My earlier framing was incomplete. Music isn’t just discipline or pride or performance. Music is my cleanest entry point into the creator state—a state where my mind goes quiet, my attention compresses, and my identity dissolves into pure creation.
When I sing at full focus, the world disappears.
When I code deeply, the same thing happens.
When I architect a product, same thing.
This is not novelty; this is stimulation.
This is not fun; this is transcendence.
I don’t hate repetition.
I hate mindless repetition.
If reps deepen nuance, I lose myself happily.
If reps become maintenance, I detach.
Music wasn’t my first skill.
It was my first mirror.
And my first template for how I want to live:
fully absorbed, fully present, creating something that didn’t exist five minutes ago.
Everything else—coding, building companies, writing, strategy—are just extensions of that same internal pursuit.
I built and sold a company young. I’ve started, paused, pivoted, and restarted more times than looks sensible on LinkedIn. The pattern most people miss: I’m not addicted to starting; I’m allergic to stagnation. I move when I no longer recognize the point. This makes my trajectory look chaotic from the outside and coherent from the inside. The thread is aliveness—the feeling that I am inside a problem that merits my best. When that feeling drops below threshold, I change the problem.
Short term:
Long term:
Fear is information. I’m not here to banish it; I’m here to route around it intelligently.
If you’ve read this far, you now know the shape of my engine: power as agency, thrill as asymmetry, legacy as meaning, relationships as infrastructure. You also know the defects: over-functioning, intellectualizing pain, validation loops, and the habit of forgetting too fast.
I’m not a contradiction to be resolved but a set of tensions to be managed. On good days, these tensions produce range, courage, and work that matters. On bad days, they produce elegant excuses. The job is to increase the ratio of good days.
I don’t know if this piece will age well. My bet is that most of it will; the specifics will change but the structure will hold. If it doesn’t, that’s information too. Either way, I’ll keep building—companies, craft, and a life that can carry both the weight of my ambition and the soft, domestic joy of being known.
The short version: I want to be the kind of person whose work outlives him and whose people feel safe around him. If I can do both, the rest will read as destiny.